Sunday, September 16, 2018

Spotted: Target Run & Done

After being cooped up in our house since Wednesday evening -- thanks, Hurricane Florence -- my family and I ventured out to Target this morning. (Honestly, though, where else would we go?) We didn't really need anything, but Target is such a great place to wander around and somehow end up with a cartful of random things.

Plus there's coffee. Which, after four days in the house, was definitely, actually needed. (Starbucks + Target is my second favorite pairing behind Starbucks + Disney.)

Target's also a great place to do "field research," which is a fun way of saying I get to look at the Disney-related merchandise through an academic lens.

And Target didn't disappoint. First up:

📷: Me (and yes, that's my coffee in the background)
First, I tried searching Target for "mulan doll" and the only one that came up was the Hasbro doll. (At least she's wearing the outfit from the end of the movie and not the matchmaker outfit that she's usually in.) This one is marketed as an "Action Adventure Figure" so that's a solid plus. Also a plus -- this is the closest thing to Warrior Mulan I've seen in the Mulan merchandise. Normally, for whatever reason, she's marketed in a dress and definitely conforms to feminine conventions. So, another solid plus for a Mulan figure who's wielding a sword and is portrayed as a kick-ass woman. 
But...those legs!? 

Not exactly a win in the "realistic body image" column there, Hasbro. So, Con. 

On a less relevant note, I also saw this:

📷: Me
My daughter wanted to watch Tangled this weekend -- anything that wasn't Frozen! -- and I'm just really confused about why Maximus has such a glittery mane. I'm pretty sure he's not glittery in the movie and can't we market a male horse without adding glitter? My daughter loves Maximus just fine without the glittery mane, and I'm pretty sure she doesn't need to have one marketed towards her.

And we may or may not have left the store with this shirt:


Dream big, princess.

Friday, September 14, 2018

Love is the Strongest Magic

A friend shared this post this afternoon, and I've found myself reflecting on it a lot. 


This is one of the best parts of the movie IMO (although the part that never fails to make me cry is when Moana's grandmother's spirit gives her the reminder and the strength to go on), but I'm not sure I completely agree with it...

There are a lot of valid points here:
  • I agree that it's important that Moana meets Te Ka with love and acceptance and not violence, and that's what helps restore her.
  • Yes, violence begets ruin. A violent approach could not have saved Te Fiti.
But I'm not entirely sure I buy the fact that "only women can help other women heal from male violence" -- and certainly not within the context of this film. While I am the first one to insist that Disney movies are not just simply animated fluff, and that they have complex thematic messages in addition to their morals, this goes a bit too far for me. 

One of the most striking things about Moana, for me, was its lack of emphasis on gender. That is, Disney went out of their way to tell a story where gender differences weren't front and center. After all, in the initial draft, Moana had brothers (6, I think?) and, as the youngest, she was constantly trying to prove that she was just as good as them and deserving of her father's pride and admiration. (SO glad they took that storyline out.) And, after all, this is the first Disney princess movie, where this isn't a romantic subplot. 

So, yeah. I don't think this is a movie about male violence or how women can help each other through it. Yes, women supporting other women is crucial and important, but I don't think the fact that Te Ka/Te Fiti and Moana are women is the point here. Rather, IMO, it's about Moana's humility and good nature -- regardless of gender. It's her act of saving the baby turtle when she was little that made the ocean "choose" her (as Grandma Tala points out) -- her kindness, her selflessness (she gives up the pretty shell), and her strength of character. 




It's more of an exchange of female wisdom and guidance. After all, Moana's journey throughout the movie is one of self-discovery and acceptance -- of finding her True Self, which is different from how others define her, namely her father (but, to some extent, her mother and community). They want her to be one thing, and she knows that she's meant for something different (to explore the world and sail the ocean). This is the advice she passes on to Te Fiti when she understands the effect of the stolen heart: she tells her that even though "they have stolen the heart from inside you / but this does not define you." I read this not as "healing from male violence" but as "honoring your true self." 

Wednesday, September 12, 2018

Snow White & Castles in the Air

Today we discussed Snow White and the Seven Dwarfs in class, so last night, I had to re-watch it. (Sometimes, I really love my job.)

I also watched it with my family -- my husband and both my kids -- which made my heart all kinds of happy. My daughter is just about 2.5 and, amidst all the fun of the terrible 2s, she's starting to become her own little person with a clear personality. It's also a lot...less quiet. 😂 There are so. many. questions!

But it's fascinating to see what she picks up on. Critics, especially the academic ones, like to make a big fuss over Disney movies -- especially the princess ones -- especially the early princess ones. They like to say that kids take this harmful message away or that watching princess movies will make them grow up into weak, passive women. Which...I've always been skeptical of. After all, how can you determine what a child takes away from a film? Won't every viewer take away something different? And even if you could definitively conclude what a child takes away from watching a movie, can you lay the blame entirely at Disney's feet? Isn't this one part of a larger conversation?

So, yeah. My daughter didn't bat an eye at the dark, scary parts -- not when Snow White ran into the woods, not when the Queen went down into her dungeon and used dark magic, not when the Dwarfs chased the Queen at the end.
She was more concerned with where characters were -- so when Snow White was cleaning the house, she didn't seem to focus on what Snow White was doing, she wanted to know where the rabbit was.
And her biggest concern was that she didn't understand where the Queen went when she transformed into the hag -- and after answering that question about a dozen times and trying to explain magic, she wanted to know what happened to her crown. 😳 Write about that, academics.

Anyway. I noticed something at the end of the movie that I hadn't noticed before and, TBH, I found it a little odd. Yes, things wrap up pretty quickly. Yes, the Prince randomly stumbles upon Snow White and kisses her (without knowing that Love's First Kiss is what breaks the spell). Yes, Snow White wakes up and is like, "O hai. Sure I'll ride off with you to who knows where." Yes, Snow White just abandons the Dwarfs after all they did for her.

But it was the castle at the end that I noticed.

Here's a screenshot near the end, with Snow White and the Prince riding off, literally, into the sunset.


Then, here's a screenshot of a few second later:


I remembered the Prince's castle differently...I assumed/remembered it as a castle on a hill off in the distance (maybe like the castle in Cinderella?), but this castle appears to (1) have magically appeared in the middle of the sky and (2) be floating on a cloud. Which...intrigued me and sparked a connection to "castles in the air." 

I remembered the phrase from Louisa May Alcott's Little Women -- there's an entire chapter titled "Castles in the Air." The March sisters are telling Laurie about how they used to play Pilgrim's Progress and try to make it to the Celestial City. Beth tells Laurie:
If people really want to go, and really try all their lives, I think they will get in, for I don't believe there are any locks on the door or any guards at the gate. I always imagine it as it is in the picture where the shining ones stretch out their hands to welcome poor Christian as he comes up from the river.
And Jo replies:
Wouldn't it be fun if all the castles in the air which we make could come true, and we could live in them? 
The castles are, I think, meant to represent the girls' (and Laurie's) daydreams, their aspirations, what they want most in this world. (Jo's dreams and castles were the ones I related to the most, TBH.) The idea, though, is that they have to live their lives first -- to deal with their weaknesses, to face their troubles, to endure the hardships. There's also the Christian undertones, given the reference to Bunyan's Pilgrim Progress (which I'll admit I'm not familiar with, except to know that it's about how to get to Heaven) which are quite prominent in Snow White.

There's also the connection to Thoreau (who I'm pretty sure was close with Alcotts -- or at least moved in the same circle as them), who wrote in Walden,
I learned this, at least, by my experiment: that if one advances confidently in the direction of his dreams, and endeavors to live the life which he has imagined, he will meet with a success unexpected in common hours. He will put some things behind, will pass an invisible boundary...In proportion as he simplifies his life, the laws of the universe will appear less complex, and solitude will not be solitude, nor poverty poverty, nor weakness weakness. If you have built castles in the air, your work need not be lost; that is where they should be. Now put the foundations under them. "
Later, in the same chapter, Thoreau writes,
However mean your life is, meet it and live it; do not shun it and call it hard names. It is not so bad as you are. It looks poorest when you are richest. The fault-finder will find faults even in paradise. Love your life, poor as it is....
These are still unformed thoughts but I think the connection to Snow White is there: if Thoreau viewed "castles in the air" as a person's dreams, their heart's desires, the life which they have imagined, then the "foundation" is to love your life, as poor as it. 

Doesn't this hold true for Snow White? However "mean" her life was, she "met" it and "lived" it. She met adversity with "a smile and a song" and never stopped wishing "for the one she loved to find her." She built her castle in the air in her heart and dreams, and lived her life as poor as it was. And in the end? Her castle literally appeared in the air in front of her, as her reward for her good life and faith and hope. 

I have no idea if Disney read Walden or Little Women, or was familiar with Thoreau's or Alcott's ideas, but he was a smarter man than people sometimes give him credit for. At the very least, I think it's plausible. 

Friday, September 7, 2018

Let's Go To The Movies: Disney Princesses Back In Theaters!

So, I don't have a lot of spare time to go to the movies -- still waiting to see Crazy Rich Asians. And Mission Impossible. And Mamma Mia 2. -- but this is tempting. If only my daughter was a little older, these would be perfect to take her to! While Disney movies can hold her attention like nothing else can -- except maybe Dora the Explorer -- I don't think we're quite at the point where we can sit in a movie theater.

I'm hoping Frozen 2 will be her first theater-movie, but I don't know how she'll do with a movie she's never seen before. Honestly, she's more likely to sit through Moana because she knows the movie by heart.

Our local AMC theater is at Southpoint mall, y'all! Happy Fall!


Tuesday, September 4, 2018

To Buy: New Disney Shirts from TeeTurtle

A short post, to ease back into blogging. There is, apparently, some plague remnant stomach bug going around and I caught it. (Which is a big deal, because I never catch those. I always get the colds. Which, fun fact, I got too. Back to back: the virus and a cold.) Basically, this has been me for the past few days:


YAY ADULTING. 

But, this email from TeeTurtle popped up this morning helped a little bit. Two new Disney couple shirts available! 
I mean, on the one hand, I definitely don't need any more Disney graphic-tees, no matter how cute and nerdy they are.

But on the other hand...it's Rapunzel and Flynn! (I'm definitely "meh" about Aladdin and Jasmine -- love the movie, love that scene, but as characters...meh.) And it's the lantern scene! Which is one of the most gorgeous pieces of animation and also "I See The Light" was the First Dance song at my wedding. 💖 

Check them out and add to your collection here -- along with a bunch of other Disney shirts I definitely covet. 

Tuesday, August 28, 2018

More Updates on the Live-Action Lady and the Tramp

Apparently, there's a lot more news about this live-action Lady and the Tramp than I realized.

Let's break it down:

1. Justin Theroux will be the voice of Tramp.

 TBH, I don't have a lot of thoughts on this casting choice. It seems odd to me, but not an interesting way...more of a "meh-shrug-your-shoulders-and-move-on" kind of way. I don't know if I expected more star power (my husband literally said, "Who?" when I shared this with him) or a more dynamic personality...Meh.

2. Ashley Jensen will be the voice of Jackie:

📷: ComingSoon
To me, this is more interesting news because (1) Jensen is actually Scottish (Bill Thompson who voiced Jock in the original animated film was not), so good move there, Disney; (2) we're gender-flipping the character (Jock was originally male) which...not to say that women can't have male friends, but I always thought it was odd that Lady had no female friends*; and (3) I've been a fan of Ashley Jensen since her Ugly Betty and Extras days, so I approve of this.

3. Kiersey Clemmons will be Darling and Thomas Mann will be Jim Dear.

Okay. I didn't actually know who either of these actors were -- and browsing their IMDB page didn't really help -- but, FWIW, it's interesting to note that Disney will be portraying an interracial relationship (which, unfortunately, is still a big deal for the media giant). That is, of course, if only the animals are CGI.

4. The most interesting bit of news from this People article, though, is how the film will be released: it won't be released in theaters, but rather directly through Disney's unnamed streaming service. (Which is, temporarily at least, known as Disney Play, thanks to an off-hand comment from Iger.) What this means, though, is less clear. Historically, films that weren't released in theaters were straight-to-DVD releases -- see, for instance, Cinderella 2 or any of the multitude of sequels -- and were generally considered inferior (re: not box office successes). A tricky appellation, and something of a misnomer. While, yes, the animation is generally inferior (more time, effort, and skill is placed into the films that can earn the most revenue -- usually: this didn't really work with Pocahontas and The Lion King) the story sometimes isn't. Since these films aren't subject to as much scrutiny -- their intended audience is much smaller -- their stories can be a little more progressive and their characters are little more dynamic. (My favorite example of this is probably the Tinkerbell movies which boast amazing voice actors and Tink is a girl in STEM! She's a "tinker," an engineer.)

But the viewing landscape has changed: this year's Emmy nominations fascinatingly (but not shockingly) favored non-cable networks, with the exception of NBC's This is Us and ABC's Blackish. Companies like Amazon Prime, Netflix, Hulu and HBO are generating outstanding original content, so why shouldn't Disney follow suit? We know their storytelling and movie-making is, arguably, in a class of its own, so their own streaming platform to house that content could be a bold move.

Could be. Will the content suffer? Will people pay to see it -- especially once Disney's catalog is gone from places like Netflix? (I mean, I will, but I'm a weird Disney fanatic.)

Tuesday, August 21, 2018

Live-Action Update: Lady and the Tramp

In honor of classes starting back up in a week (well, less than a week, but let's round up so I don't freak out), I figured I should start blogging again.

So, I'm gonna ease back in with some news/updates that legit took me by surprise:

Tessa Thompson has been cast as the voice of Lady in the live action Lady and the Tramp. 

📷: The Independent
Let me clarify.

I 100% approve of this casting choice. I love Tessa Thompson: she's having a moment now -- what with Westworld, Thor: Ragnarok (is she alive in the MCU?! Did Thanos get her?!) and the new Men in Black, but I know her from her Veronica Mars days so.... -- I have faith that she knows a good thing when she sees it. Plus, the "original" (re: animated) Lady was voiced by Barbara Luddy a.k.a. Merrywether from Sleeping Beauty (<--that legit blew my mind, TBH) and, I don't know...I always liked that Lady's and Merrywether's voices were...I don't want to say "deeper" or "huskier," because the connotation there isn't what I'm going for, but their voices have a different pitch than, say, Aurora or Snow White. Their voices seemed unnaturally sweet and feminine, implying a preternatural innate daintiness that just seemed...unattainable? Unrealistic? All of the above? Both Merrywether and Lady are good-natured, to be sure, but they have a bite to them that I think Tessa Thompson will capture well. Well, for Lady at least. 

But...Lady and the Tramp live-action? 

IDK. I'm sure I knew this film was in the works, but honestly? Disney announced a live-action adaptation of basically everything they've ever made. And the 90's Renaissance remakes (The Lion King, Mulan, Aladdin) are kinda taking up the newsfeed right now. There's even been a fair amount of info on the Dumbo remake. Plus, I'm still waiting for updates on The Little Mermaid (which y'all know is my fave) with Lin-Manuel Miranda so...I kinda forgot about Lady and the Tramp.

Whoops. 

I love the film -- despite it's problematic parts (Si and Am, anyone?) -- and Tony's Town Square restaurant is one of my favorite places to eat in Magic Kingdom. I mean, who doesn't love Italian? (But, really. For the longest time, it was kinda one of the only sit-down, table-service (re: not a buffet) restaurants in MK.) And dogs? And dogs sharing a bowl of spaghetti?! LOVE. 

But, much like The Jungle Book adaptation (and, TBH, The Lion King), I remain skeptical (and cautiously optimistic!) about "live-action" adaptations starring CGI animals.

We'll see.