Once Upon A Time -- Hyperion Heights

Confession: I've been a fan of ABC's Once Upon A Time before it even aired. A show about Disney-versions-of fairy-tale-characters who were living in a modern setting? SOLD.  I loved everything about it -- especially Lana Parilla's Evil Queen/Regina. Seriously. IMHO, she was the best part of the show. (Folks at The Nerdist agree too.)

I even stuck with the show when it got a bit ridiculous. I mean, I know shows "jump the shark" after a certain point, and when you're dealing with fairy-tales and fantasy, that's almost inevitable but...still. I could have done without the whole foray into the Land Of Untold Stories, and I'm pretty sure the addition of Jasmine, Aladdin and Jafar in season 6 was kinda pointless.

So when I read that the show was basically rebooting for this season -- with most of the major cast members leaving -- I was skeptical. Wouldn't that normally be the kiss of death for a show?

But I just watched the season premiere tonight and I gotta say: this might actually be a good thing for the show:

1. Both Lana Parrilla (Regina) and Robert Carlyle (Rumple) are still around, which phew. (So is Hook, but IDK why he's there so the show's got some explaining to do on that front.)
2. Henry Mills is all grown up -- and literally a different actor. Nothing against Jared Gilmore -- he was a great child actor -- but I felt like the show didn't really know what to do with him after a point. (See: The Author storyline.) Now that he's the focus, and portrayed by someone else, the character can grow.
3. I'm intrigued by the shift in the central story from "Snow White" to "Cinderella" -- if not a little skeptical. Yes, Snow White was Disney's first film but Cinderella is by far the more popular story. I'm curious to see their take on it.
4. I really like the new supporting characters -- including Reign's Adelaide Kane as Drizella. Although--where is Anastasia? Why is there only one wicked stepsister (who may or may not be actually wicked)? And her American accent game is on point. 

But the thing that I appreciated the most -- as a children's literature scholar and all-around fairy tale nerd -- came fairly early in the episode. Original Henry is talking to Regina about why he's not going to college and instead taking a gap year to go explore other fairy tale realms. I don't remember the exact line, but he basically acknowledges that there are so many other versions of the stories that he didn't know about -- like a French Snow White, an Italian Snow White, etc. Yeah, he makes it about him -- he's not in any of the other stories and wants to know why -- but I think this acknowledgement of other versions of the fairy tales is a big deal: critics love to lambast Disney for overshadowing those other versions and, in their minds, erasing them. 

There's also another moment, when New-Henry meets New-Cinderella, and he tells her he has to help get her story back on track. She asks if her story has a happy ending -- do these people know they're characters from stories? I'm not really clear where the show landed on that -- and he tells her that yes, it does: in most versions, the prince has to find her first, so she leaves him a sign, in this case the glass slipper. It's subtle, yes, but again, it's an acknowledgement that there are other versions of these stories than the one that comes to mind when you say "Cinderella" or "Snow White." 

Kudos, Disney. Or, well, Kudos, writers.